More of Kim Seon-gu's Sculpture in Shanghai

Kim Seon-gu's Sculpture in Shanghai

Was running with Edgar around my neighbourhood when we come across this exhibition by Kim Seon-gu. His art pieces revolves around speed and power, heroism and idealism. Based upon profound historical and humanistic background, he transforms his enthusism towards classical humanism and persuit of individualistic freedom into a eudology of fortitudinous dedication.

Below are some more of his artworks that I shot. Enjoy and Contemplate.

Gay Blogs in China - Yculblog

In trying to find more readings on Gay culture, I continue to browse through the blogs in YculBlog. Here are more blogs in relation to Gay community here, this are the authors to the blogs they own:

COCO
猫猫
死 地
marc
狗狗
左转右转
joeyzf
疯一样的男子


The problem for most readers who are Not from China is that these blogs are written in Chinese. You might not understand what's written. There should be more people out there. Just my mandrin is no good and I cannot source them out. Please note that these blogs are for you to understand them. You should not criticise as everyone has the right to choose any paths in their life.

We all choose to live the style of life we want. Some of us spent crazy hours rushing datelines in work. Some choose a more carefree style of Living. Some of them might have double personalities in order to hide things the society deemed as controversial. But as the african belief in Ubuntu goes, "Do good, Have Love, Have compassion, make the world better", everyone has and equal right in every day's life.

Intangible Cultural Heritage - A new prospect for preservation of cultures in China?

Intangible Cultural Heritage is a new word in China. With it, it brought about a lot of awareness among the Chinese. We can understand it by saying such cultures are usually formless, and do not have a stationary position like buildings and relics. Rather, such cultures usually exists amidst the crowds in the forms of folklore, craftmanship, beliefs, practices, dances and performances.

China has deemed a couple of such practices into Intangible Cultural Heritage areas: beijing opera and Kun-qu, folk arts like those of bamboo carvings from Jiaoding, drum performances from Shaanxi, tea drinking practices and many more. It become a much awared activity when one visits perhaps a Beijing Opera and go woo ah and say "LOOK! This is China's Intangible Cultural Heritage!" Yes, more people have become aware of such. The Chinese are proud of what they have, took pride in it, start to respect, and many become more prone to protect such treasures.

What I like to point out is that are such treasures more important, or the name Intangible Cultural Heritage that made them important? What if let say traditional paper cutting is not protected at all, will people be so much concerned in preserving this form of fork art running in the society? Will people just say, "eh no point, will not earn money, nobody wish to upkeep such traditions, let's do something that will earn more money..".. Such thoughts make me wonder which is more important, the branding or really the tradition.

Of course, for those old practioners and loyalists to any specific form of art, they are at their tip top happiness. The grandma who goes to her weekly Beijing Opera chuckles happily to herself, knowing that what she enjoy will never disappear. Sweet way to gain awareness, she says.